Arts Margaret River exists to support and nurture the work of artists across all disciplines, and to foster a love of the arts within our community.
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Dea Haddow and Eleanor Davies both share a fascination with their natural environment; inviting the viewer to join them on an abstract tour of the place they live. Both artists share an appreciation of the unique beauty of the south west and the stories that this place evokes.
Morgane Chebahi, known artistically as Mo L’artiste, began her creative journey during maternity leave in Fremantle, where she found herself spending more time at home. What started as a simple pastime quickly grew into an enduring passion.
Dea Haddow and Eleanor Davies both share a fascination with their natural environment; inviting the viewer to join them on an abstract tour of the place they live. Both artists share an appreciation of the unique beauty of the south west and the stories that this place evokes.
Morgane Chebahi, known artistically as Mo L’artiste, began her creative journey during maternity leave in Fremantle, where she found herself spending more time at home. What started as a simple pastime quickly grew into an enduring passion.
Dea Haddow and Eleanor Davies both share a fascination with their natural environment; inviting the viewer to join them on an abstract tour of the place they live. Both artists share an appreciation of the unique beauty of the south west and the stories that this place evokes.
Morgane Chebahi, known artistically as Mo L’artiste, began her creative journey during maternity leave in Fremantle, where she found herself spending more time at home. What started as a simple pastime quickly grew into an enduring passion.
Morgane Chebahi, known artistically as Mo L’artiste, began her creative journey during maternity leave in Fremantle, where she found herself spending more time at home. What started as a simple pastime quickly grew into an enduring passion.
Join artists, Jacqui Brown, Jamie Roper and Shelley McNab (Seasaltware Ceramics) for a deep dive into our beautiful coastal landscape.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
Join artists, Jacqui Brown, Jamie Roper and Shelley McNab (Seasaltware Ceramics) for a deep dive into our beautiful coastal landscape.
Join artists, Jacqui Brown, Jamie Roper and Shelley McNab (Seasaltware Ceramics) for a deep dive into our beautiful coastal landscape.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
Join artists, Jacqui Brown, Jamie Roper and Shelley McNab (Seasaltware Ceramics) for a deep dive into our beautiful coastal landscape.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
Join artists, Jacqui Brown, Jamie Roper and Shelley McNab (Seasaltware Ceramics) for a deep dive into our beautiful coastal landscape.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
Join artists, Jacqui Brown, Jamie Roper and Shelley McNab (Seasaltware Ceramics) for a deep dive into our beautiful coastal landscape.
Join artists, Jacqui Brown, Jamie Roper and Shelley McNab (Seasaltware Ceramics) for a deep dive into our beautiful coastal landscape.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
Join artists, Jacqui Brown, Jamie Roper and Shelley McNab (Seasaltware Ceramics) for a deep dive into our beautiful coastal landscape.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
Join artists, Jacqui Brown, Jamie Roper and Shelley McNab (Seasaltware Ceramics) for a deep dive into our beautiful coastal landscape.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
Join artists, Jacqui Brown, Jamie Roper and Shelley McNab (Seasaltware Ceramics) for a deep dive into our beautiful coastal landscape.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
Photography has been a retirement project for me, and it is a happy place in which I can be totally absorbed. It gives me a purpose, as well as a means of self-expression. Working in black and white enables me to see light and form in my subjects in a way that colour cannot.
